Showing posts with label Ward Kimball. Show all posts
Showing posts with label Ward Kimball. Show all posts

7.10.2005

MELODY



Released on May 28, 1953, MELODY was the first cartoon ever filmed in 3D. It was shown at Disneyland in the Fantasyland Theater as part of the 3D Jamboree. As I mentioned earlier with TOOT WHISTLE PLUNK and BOOM, this film was the first in a proposed series of shorts teaching the principles of music, called Adventures in Music. TOOT was the only one made after MELODY. I would've loved to have seen the opening credits in 3D, as the mobile concept for the opening title sequence probably looked great.

All the prinicple artists and creative geniuses who produced MELODY are pretty much the same from TOOT (check out the details here). Ward Kimball, being the director, kept the flow of the piece quick and precise. Again, some great character designs by Tom Oreb, as well as some fantastic background and color designs by Eyvind Earle. The story is similar to TOOT, where we are introduced to a schoolhouse with the Professor Owl presiding over the class. As he talks about the subject of the day, we are presented with some interesting side examples of melody in action. My favorite is the "Steps of Life" segment, demonstrating how melody is evident throughout the life of your average guy. As we go though the stages of this one guy's life, his early life and childhood steps go up. When he marries and has children, that is considered his "prime of life," and is depicted at the apex of the stepbridge of his life. Then, as he gets older, the steps go down. All at the same time, the overall colors shown for each step changes subtlety, as warm ochres, yellows and reds, suggesting growth and vitality, are for his childhood and school years, up until his marriage. When he gets older, the color scheme subtlety changes from reds to purples to blues, depicting maturity and loss of vitality. A nice gag that is barely seen, but for an instant, is when we see him get married, a shotgun slowly flies across the frame, suggesting that perhaps there were more than one reasons why our boy got married!

Another slip of fun that got overlooked somehow, was a shot of the dunce of the class glancing over at the Mae West-wannabe chick, Suzy Sparrow. He's not looking at her eyes, if you know what I mean. You can check that frame out below. And yes -- the frames! I couldn't stop with the frame grabs. I believe there are 46 here. It was very difficult in trying to find out what exactly to grab as every single shot looked fantastic. The colors, the backgrounds, the characters, everything. This short is probably not as fun as TOOT, but it's just as tight. (By the way, MELODY is found in the bonus features of the FANTASIA 2000 DVD, and more recently, is included in the Walt Disney Treasures: Disney Rarities DVD set.) And don't forget -- all images below are clickable to view in a larger, 800 pixel-wide size. Enjoy!

DISCLAIMER: The following images are owned and copyrighted by Disney. I am not making any money off of this presentation, just posting these wonderful images merely for the sake of resource and historical purposes. If you have any questions about all this, please feel free to email me. Thank you.

























As I was watching the end of MELODY, I noticed the nice pan that goes from the schoolhouse, up to the end frame, and I thought, you know that'd be pretty cool to see in its entirety. So, I grabbed some of the frames from that shot and put them together via Photoshop. Here's the final result (you can, of course, click on image for a larger size):



You can help me out by ordering MELODY through Amazon directly here:

5.03.2005

TOOT WHISTLE PLUNK & BOOM


TOOT WHISTLE PLUNK & BOOM is one of my favorite Disney shorts of all time. Point blank. And so, I was elated beyond belief when I found out it was FINALLY out on DVD a couple of years back when it was listed as part of the bonus features on the FANTASIA 2000 DVD. (It is now also available on the Walt Disney Teasures: Rarites set.) Originally released in theaters in 1953 as part of an educational series titled, "Adventures in Music," TOOT was directed by the one and only Ward Kimball. Well, he was listed as co-director with Charles Nichols, but it can be said that it was all Ward. It was cool to note that the Academy honored the short for the Award for Best Short Subject Cartoon of that year. Icing on the cake, I guess.

And what great animated icing! The overall color and character design is pretty much top notch. The short film garners a closer look, so I've had this idea of grabbing some screenshots for you all to check out -- something I've always wanted to do ever since I started this blog. But fear not -- I didn't want to skimp on the quality of the images. Oh no! I'm a generous guy, so I've got nice, big. 800 pixel-wide screenshots of the short for everyone to enjoy. To ease the page loads, they're posted here as thumbnails so you can simply click on the thumbs to download the larger images.

Some background first:

You can check out specifics on TOOT WHISTLE PLUNK & BOOM here, but there were some brilliant minds at work here and oftentimes these incredible talented guys get overlooked. The art director was Ken O'Connor (scene layouts and continuity, mostly), with Vic Haboush as assistant art director to Ken. The major stylist on the film was Thomas Oreb, a "lost legend" and true artistic hero of the time. He was the one responsible for all the fantastic character design on the film. Working in tandem with the characters was background artist and designer, Eyvind Earle. He's often mentioned for his gothic/medieval backgrounds in SLEEPING BEAUTY.

After seeing all the thumbnails of TOOT here, it's interesting to note the color scheme of the entire film. There are a good amount of warm reds and purples that stand out to me, offset by cool blues and indigos. When you look closer at the images, take special note of the flatness of the characters, typical of the early- to mid-50's design of the time. You can thank UPA for spawning a great interest in this limited, yet modern style, as they had that look pretty much cornered. But here, Oreb almost out-UPA'd UPA. I love how the musicians have white lines with no color fill for their heads. Brilliant stuff.

DISCLAIMER: The following images are owned and copyrighted by Disney. I am not making any money off of this presentation, just posting these wonderful images merely for the sake of resource and historical purposes. If you have any questions about all this, please feel free to email me. Thank you.

Onto the images:
























And now, for the Special Edition part of this post: the following rare story sketches are by Tom Oreb for TOOT, along with their respective scenes from the final film for comparison. Some great fluidity in the pencil lines here. (And please don't ask me where I got these, as I have so many animation drawings, model sheets, sketches, and resources accumulated throughout the years, it's sad that I can't remember. Sorry.)

The story sketch:

And now the final:


The story sketch:

The story changed a bit and so I found two instances where the scene was similar to the story sketch:



Well, there ya go. If this proves successful, I plan on doing more posts like this, where I'll grab more images than humanly needed from other great animated short films. Up next: MELODY, the first of the "Adventures in Music" series, also from 1953, and also directed by Ward Kimball. Enjoy!

UPDATE: I've now posted 46 wonderful images of MELODY. You can check it out HERE. Hope you like!

You can help me out by ordering TOOT through Amazon directly here: