Post-Thanksgiving B-Boy Animation

Break Dance Stop Motion from ben wheatley on Vimeo.

Because we all need some dancing after the Big Feast. And it's stop-motion, too! Well, pixilation, actually. But still just as cool.

(Via Celebreak.net.)

Last chance for b-boy

b-boy, my solo art show lasts til the end of this month. If you'd like to purchase a painting, now is the time! And yeah, I know the economy is in the pits, but peoples still gots ta make a living. Here are a few more pieces:


Backspin
Acrylic & ink on cardboard
41" x 38.5"


Headspin
Acrylic, marker & gesso on linoleum
12" x 9.5"


Top rock 3
Acrylic & ink on wood
10.5" x 21.75"


Freeze 1
Acrylic & ink on wood
19" x 13"

In the meantime, check out this über-cool b-boy papercraft automon. (Thanks, for the heads up, Laura!) I'm seriously thinking about printing this up and building it:

The True Face-Off

This is how I'd like to see the presidential candidates really duke it out:

The b-boy show

Photo by the wife.

Wow. I'm still speechless, and it's been over a week since the opening reception for my solo show "b-boy". First of all, I want to thank everyone who came out to support. It was an exhilarating experience, from conceptualization to research to sketching to painting and, finally, to exhibiting the work. It's been one of the most difficult projects I've ever taken on, but also one of the most satisfying. I'm extremely proud of the work I was able to crank out for the Grassy Knoll Gallery and my only hope for those of you who stopped by that evening of October 2nd is that you caught a mere glimpse of all the hard work that was put into it. A wild ride, but completely and totally worth it.

I've put together a Flickr set from the show, along with some work-in-progress shots, in case you're into that sort of thing. I know a lot of you artist-types usually are. Checkit: b-boy.

Also, check out more of Andrea's photos from the opening here.

Not one for the words, so I'll let the photos speak for themselves (with a few captions, for info's sake):








This was the first time I had a chance to see all (or, almost all) the paintings together.


For the wood and cardboard pieces I used india ink for the linework. Loved the pure blacks I was getting.

I even employed Spidey to help out:






The following two shots of me laying out the paintings the day before the show by Andrea:




Day of the show:





Gallery co-owner Renee Marcotte makes it all official by putting up the labels.




It was wild to see people I knew there. Even wilder to see people I didn't know.

Here's what they were checking out:



Moon Patrol Crew was amazing. Really made the show. Thanks, guys for putting on such an incredible performace.


Ezra wanted to get out there so badly. He was ready, getting up slightly after each dancer, but would sit back down when the next b-boy hit the floor. Seriously, I would've paid money to see him get out on the floor and do his version of breakin'.

To see more photos from the evening, check out my b-boy Flickr set.

And be sure to see Andrea's amazing photos here

For those of you who weren't able to go to the opening reception and want to see the exhibit, you can contact Renee Marcotte at 1-503-449-7484 and she'll be able to set up an appointment for ya. The show will be up for the entire months of October and November. If you can't make it to Portland, yet still curious about what it's all about, you can see all the paintings at Grassy Knoll Gallery's online store. Yes, they're affordable.

Again, I'm so thankful for everyone who showed up last Thursday, the 2nd. It was a memorable night for me & my family.

Deep in it

With my show opening just days away tomorrow, I'm deep in it. My workspace downstairs looks like a true artist's enclave, with a vast array of paint & supplies sprawled all around. Never been one for the organizing thing, so you can only imagine. Well, here's a little peek at my desk for ya. That should tide you over, I guess. And if you want to see some more sneaky peeks, then check out the Flickr. Hopefully it'll wet your appetite for what's to come. Hopefully it'll make you want to get in your car and drive 300 or 400 (or however many) miles on Thursday evening just to see what else might be up on the Grassy Knoll Gallery's walls. Hopefully it'll make you want to plunk down hundreds of dollars for all the tasty artwork that's being offered. I know it will. Just know it.

The Grassy Knoll Gallery is owned & operated by Robert Lewis and Renee Marcotte and is located in the historic Merchant Hotel in Old Town, Portland. Robert is head of Fashion Buddha, an animation & design studio that shares its space with the gallery (the gallery is actually in its spacious foyer). What's interesting to note is the gallery's description: The Grassy Knoll is a unique gallery specializing in the work of innovative animators and illustrators.... I found this especially intriguing, what with me being both an animator AND and illustrator. It seemed only right that Robert & I connected.

I'm extemely honored to have a show at Grassy Knoll. The roster of previous artists who've shown their work is staggering: Amy Ruppel, Evan B. Harris, Alberto Cerriteno; I mean, I really don't deserve to be included with such company. And look who's coming up after me: Joel Trussell! Right on.

Regarding the show itself: "b-boy" came out of the conceptual illustrations I had done years before and had posted here on my blog several months ago. There was potential for an entire show with this theme and I went with it, eager to see where it would take me. Utilizing mostly "found" materials for the surfaces, such as cardboard, wood, linoleum, and formica, I wanted to forge a connection between the subject matter and said items. Dancers from back in the day had to improvise with whatever they could find to dance on. Concrete and asphalt was certainly not susceptible for backspins and windmills, so cardboard and linoleum were the usual preferred surfaces.

Never one to go with the grain, I've rarely worked on canvas. Back in college, I painted on cardboard out of necessity -- I couldn't afford canvas. I was working at a movie theater at the time and we'd get shipments of promotional standees -- they came in these huge cardboard boxes that provided me with acres of painting space. Perfect for what I had in mind. What was enjoyable for me working with cardboard was the fact that it's malleable -- I could add and subtract to a particular piece at will. Even though the actual surface of cardboard took some getting used to (a couple coats of gesso helped), it was the workable and shape-shifting nature of the material that inspired me. The fact that I could go beyond the typical square or rectangular painting dimensions was very appealing.

There's some great dancing to be had the night of the opening. I've done a little searching and found some great videos of Portland's own Moon Patrol Crew -- three members of which will be performing Thursday night at the Grassy Knoll. I'm incredibly excited! Here, check out their performance, "Toprock", at the PICA:Time Based Art festival:



That's such a sweet deal there. Love the fact that they took the 'toprocking' aspect of breaking and incorporated it into a singular performance, with several dancers. Very nice.

Here's a cool battle between Moon Patrol Crew & Def Con 5 at the recent Juice Jam (Moon Patrol kids are on the same side as the cameraman, facing the DC5 boys):



Hope that gets ya off your seat and down to Old Town.

If you can't make it for the opening, no problem. The show will be up for the entire months of October and November -- just call the studio to set up a time to come and check it out. Robert & Renee will be more than willing to open the doors for you.

Okay. Gotta finish this one last painting. See ya tomorrow!

b-boy: an art show

You thought that Ottawa was it for now. Not so. And you thought that I'd be doing a big Ottawa wrap-up, right? Well, all in due time, my friends. First things first and this is it for me right now:

The grassy knoll gallery presents:

b-boy — Ward Jenkins

Exhibition Dates // October - November, 2008

Artist Reception // Thursday, October 2nd, 2008
6-9 PM, free, open to the public

Breakdancing Performance // 7-9 PM featuring:
Randm-1, Impulse, and Skywalker of Portland’s
Moon Patrol Crew and guest DJ Computer Fam

Grassy Knoll Gallery //
123 NW 2nd Avenue, 2nd floor
Portland, OR 97209

Contact // Renee Marcotte
1-503-449-7484

Artist statement //

"b-boy" is a tribute to the early boogie boys of the Bronx, the original poppin’ & lockin’ dancers who kept the parties live back in the day, back when hip-hop was in its golden, embryonic stage. Using various ‘lo-fi’ materials and surfaces, such as found cardboard, wood, and linoleum, Ward harks back to the essence of the early ingenuity and innovation of hip hop. During the 70’s and early 80’s, kids used a wide variety of surfaces to dance on and perform stylized acrobatic moves. Using what was available, they proved again and again that the brightest sources of creativity often come from the most humble of places. “b-boy”is a tribute to the beginnings of that movement, before the uninformed media brought it to near-fad status.

All you Portland and/or NW peeps: hope you can make it! It'll be fun to finally meet you all. Don't forget, it's next Thursday!

Ballerinas

Something I did recently for a potential job. Didn't get it, but that's okay. I now have ballerinas in my illustration arsenal.

Good thing Andrea's a dancer and that we have an 8 year old daughter. Lots of books laying around here on dance -- plenty of reference for me. (For the record: Andrea's more a modern dancer, but has books on all types of dance because she teaches it.)





Girls are so awkward at this age, especially when it comes to getting ballet poses right. It was fun trying to come up with some scenarios you see here.

Wow, it got real girly around here all of a sudden, didn't it? Oh, well. Enjoy your Labor Day, folks.